A compact, mobile shooting setup on location: an open camera case on rough concrete ground, revealing neatly fitted foam compartments for a camera body, lenses, and a compact gimbal, with a folded tripod lying beside it. In the background, an indistinct urban alleyway set with neutral props suggests an exterior shoot without featuring people. Late-afternoon natural light slants between buildings, creating dynamic patterns of light and shadow on the gear and ground. Photographic realism, captured from a low, close-up angle that emphasizes the equipment and textures, conveying agility, professionalism, and readiness for diverse portfolio projects.

Altri lavori

Progetti laterali, collaborazioni e prove libere che ampliano il mio percorso visivo oltre i set e i film.

A stylized film still of an empty interior location: a minimalist room with a single mid-century armchair facing a large window, curtains gently parted to reveal diffused overcast daylight. The armchair’s rich fabric texture and the subtle reflections on a nearby side table become the focal points, with no human presence. Photographic realism with a cinematic color grade, using a wide-angle lens at eye level and a shallow depth of field so the edges softly blur. The mood is contemplative and slightly mysterious, evoking narrative possibilities and demonstrating a filmmaker’s eye for composition, light, and atmosphere.
A meticulously arranged collection of printed contact sheets and storyboard frames spread across a large, slightly worn wooden table, each frame showing abstracted, non-human scenes. A digital tablet rests to one side displaying a color grading reference still, while color swatch cards and sticky markers punctuate the layout. Soft afternoon window light washes diagonally across the table, creating gentle gradients and long shadows that reveal the paper texture. Photographic realism, captured from a top-down perspective with sharp focus throughout, conveying thoughtful planning, narrative construction, and the behind-the-scenes process of filmmaking and photography.
A pristine cinema lens placed carefully on a textured black fabric, its glass elements reflecting faint studio lights and colorful flares. Around it, neatly arranged lens caps, a cleaning brush, and a slate with visible grid markings hint at preparation for a shoot. The scene is lit with controlled, low-key lighting from the side, creating elegant highlights along the lens barrel engraving and subtle shadows that emphasize depth. Photographic realism, shot from a slightly elevated angle with a tight, centered composition, evoking a refined, minimalist and professional mood ideal for showcasing technical expertise in cinematography.

Informazioni

Fotografia, regia, montaggio

Dallo scatto di scena al montaggio, il mio lavoro attraversa i diversi ruoli del set e li collega in un unico sguardo registico. Scopri qui il percorso, poi entra nella sezione Regia.

Vai a Regia
An editing workstation with a large ultra-wide monitor displaying a colorful film timeline, positioned on a dark wooden desk against a neutral wall. The keyboard with worn keycaps, a precision control surface with illuminated dials, and an external drive with a subtle status light create a feeling of intense post-production work. Soft, cool-toned desk lamp lighting mixes with faint ambient screen glow, casting gentle reflections on the desk surface. Photographic realism, captured from a three-quarter angle, with a shallow depth of field that keeps the monitor and control surface sharp while the background fades, conveying concentration, precision, and the invisible craft of film editing.